Nino Surguladze

mezzo sopran

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Mikheil Saakashvili Granted the Presidential Order of Excellency to Nino Surguladze

http://www.president.gov.ge/en/PressOffice/News?p=5410&i=3

Placido Domingo gave concert together with Georgian Opera Stars

Concert of the World-renowned Spanish tenor and conductor Placido Domingo was held in Batumi yesterday.

Placido Domingho presented some known arias together with Georgia opera singers. Domingo offered six Georgian singers to participate in the concert. Among them were
Nino Surguladze,Paata Burchuladze, Lado Ataneli, Eteri Lamorisi, Nino Machaidze.

Before the concert, Placido Domingo together with the Georgian President nMikheil Saakashvili observed Batumi opera building.

"Rigoleto a Mantova" was aired in 149 countries, among them in Georgia. The Georgian opera-singer Nino Surguladze took part in the televised historical world premier with the world-famous Opera stars as well. Nino Surguladze sang together with Placido Domingo in this version of "Rigoleto". After this triumph Nino Surguladze received the Presidential Order of Excellency for the exceptional talent and participation in successful project in the city, where the world premiere was held. "Besides being a very talented singer it turned out that Nino is a very talented actor as well. She still has the same manners she had in the movie "Upstart". Nino became a grand superstar after being a small star. Nothing more one could achieve in this sphere and the whole world saw this achievement today. Nino Surguladze made the whole world tremble during several hours. I want to grant Nino the Presidential Order of Excellency in this field environment for expressing Georgian talent in the highest and most brilliant way. Nino is the face and the voice of Georgia", Mikheil Saakashvili stated.

 

Georgian mezzo feels 'Carmen' in her soul
By CHARLENE BALDRIDGE - For the North county Times | Posted: Wednesday, May 11, 2011 1:21 pm

Nino Surguladze arrives at her interview clad in black and white with a straw hat and big, round sunglasses. She looks more like Audrey Hepburn than the Penelope Cruz of bel canto (which she's been called), although the latter might be more appropriate. Surguladze is in San Diego to sing Carmen, the fiery gypsy in Georges Bizet's 1875 opera.

You may not hear it in the opera house, but the Georgian mezzo-soprano's speaking voice is vibrant and warm. Seated near her, one feels the strong presence described last year by San Diego Opera general and artistic director Ian Campbell, who believes she will be a kittenish, more careless Carmen.

The immensely popular opera opens a four-show run Sunday to close the company's season. The final performance is already sold out and ticket sales for the rest are brisk.

Carmen works in a Seville cigarette factory, where she stabs another woman. A group of soldiers is nearby and she is arrested. Spanish soldier Don Jose (tenor Richard Leech) is ordered to take Carmen to prison. Captivated by her beauty, Don Jose instead helps her to escape into the mountains, for which he is arrested.

The moment Don Jose is released, he finds Carmen and becomes her lover, joining her band of smugglers. Don Jose's innocent young fiancee, Michaela (soprano Talese Trevigne) arrives at their encampment, begging him to return to their village. But Don Jose refuses to leave Carmen, even though she's grown bored with him. And when she falls for the swaggering bullfighter Escamillo (baritone Wayne Tigges), he goes to the bullring in a jealous rage, insisting that if he can't have Carmen, no one will.

"Carmen is a symbol of freedom," said Surguladze, who believes Carmen represents all women who've struggled for respect, for an equal place in society. Smiling, she says that Michaela always gets the biggest applause because she represents society's ideal, virtuous woman. "I love that, too, but the world is beautiful because it has different colors. Carmen is trying to survive in a man’s world. A Gypsy in that time, what place they had? Carmen is the way she is. I'm sure my Carmen is really in love. Because of her Gypsy blood, she knows the future, but she's not stopping because she believes in destiny and wants to be a hero. She is the spirit of contrabandier (the smugglers) and must be brave. I like that. I feel myself also Carmen."

Surguladze was a brave child, preparing for life as a citizen of the world by learning languages, and going to the arts academy in Tbilisi, Republic of Georgia. In many ways, her outgoing nature and fearlessness led to her own future, which included becoming a child film star in a movie similar to "Free Willy." When she was 17, she began opera studies in Tbilisi, entered a competition, and won two years training at the Academy Studio of La Scala (2001-2001), where she met famed conductor Riccardo Muti.

While still in the Academy, she began to sing in other European cities, beginning with Barcelona. Then came Bologna, London, Parma, Madrid and London. She made her Chicago Opera debut in as Olga in "Eugene Onegin" and her Metropolitan Opera debut as Maddalena in "Rigoletto."

San Diego is fortunate to see Surguladze making her company debut as Carmen. Early in her career, she was cautioned not to perform the demanding role too frequently. Nonetheless, she says, "In every woman there is a bit of Carmen. I want the audience to see what I see in her, the strength and also the weakness. She is a woman and she has heart."

 

Changing pictures

 

 

Click here for ALL pictures from the stage in "Festspielhaus"

 

http://newstyle-mag.com/personalii/astralnye-miry-nino-surguladze.html
http://www.nctimes.com/entertainment/arts-and-theatre/theatre/article_f8a79137-e316-5b79-84ad-9f07829e020d.html?mode=story  
   

 

comments and critiques

 

Cosí fan tutte

http://www.publico.es/agencias/efe/290328/cosi/fan/tutte/convent/garden/espectaculo/completo

"Cosí fan tutte", en Convent Garden, un espectáculo completo

 
Los intérpretes Charles Castronovo (d), Sally Matthews (2i), Troy Cook y Nino Surguladze (2d), en un momento de la representación de la ópera "Cosí fan tutte" que se podrá contemplar hasta el 17 de febrero en la Royal Opera House de Londres. - EFE  

Por lo que se refiere a los cantantes, la mezzosoprano georgiana Nino Surguldze parece estar hecha para el papel de Dorabella, que interpreta con gracia y soltura, mientras que la soprano británica Sally Matthews añade a una voz perfectamente controlada en las difíciles coloraturas y los continuos saltos de voz una gran sensibilidad de actriz.

 

http://www.quintessentially.com/insider/author/harry-hughes/

Nino Surguladze’s adorably fickle Dorabella softens pretty quickly though Sally Matthew’s staid Fiordiligi takes a little more time to crack, her lower-register tones full of a perplexed despair as she falls for Ferrando in disguise. Her multi-layered delivery of ‘Come Scoglio’ wins the standing ovation, but the most flavoursome, piquant moment of all is Shimmel’s shame and disgust at the denouement of this most immoral of moral fairytales.

 

LES CONTES D'HOFFMANN

http://www.teatro.org/spettacoli/recensioni/les_contes_d_hoffmann_11509

Torino, teatro Regio, “Les contes d'Hoffmann” di Jacques Offenbach

LA VITA E' UNA RUOTA CHE GIRA

.... Nino Surguladze è una Nicklausse di grande temperamento e dalla bella voce, usata in modo ottimale soprattutto nel fraseggio intenso e sfumato. Bene anche Manuela Custer, meno carismatica dal punto di vista attoriale.

 

Così fan tutte, Covent Garden

http://www.operatoday.com/content/2010/02/cosi_fan_tutte_.php

Relaxing into her glamorous boots, Nino Surguladze enjoyed flirting and flouncing as a coquettish Dorabella; 'È amore un ladroncello' proved that she was equally secure at both ends of her register, and displayed her warm, supple tone.

 

Così fan tutte, Royal Opera House/ Joyce DiDonato, Wigmore Hall

http://www.theartsdesk.com/index.php?option=com_k2&view=item&id=881:cosi-fan-tutte-joyce-didonato-music-review&Itemid=27

... No one can escape it. Fiordiligi (Sally Matthews) falls for its reflexive charms just when a tone of near-genuine emotion is being reached by Dorabella (Nino Surguladze) over her lover Ferrando (Charles Castronova). ...

... As usual with Miller, even in revival, the acting was outstanding. Surguladze's Dorabella got better and better as her voice and body relaxed into the role and her pouty, bug-eyed, flirty, inner Betty Boop came out.

 

http://www.guardian.co.uk/music/2010/feb/01/cosi-fan-tutte-review

... Charles ­Castronovo and Troy Cook enjoy taking on the heavy metal fan ­paraphernalia of Ferrando and Guglielmo's ­disguises, while Sally Matthews and Nino ­Surguladze partner them perfectly as rock chicks in the finale. ..

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